As Seen On Tom Sawyer's Island
A collection of images and other items from Disneyland, theme parks and other amusement parks. Also look for images and items I find interesting, amusing or both.
For those who needed to dial for help when the Indians attacked.
The second image shows Betty Ann Gunther (at least that is what is marked on the back) in front of one of the entrances. It looks like a busy day at the studio with lots of coming and going.
The next image is a group shot of the ladies of Ink and Paint. Identified on the back, they are Ann Esplund, Ivy Carole, Van Horne, Margaret ?, Mille Minnette. They are quite stylish with their bobbed and curled hair and gorgeous outfits. No wonder the animators were always trying to visit the Ink and Paint Department.
The next two are images of the buildings at the studio. The first shows the large windows of the building for the Ink and Paint Department.
The last image appears to be one of the sound stages.
As a special for the readers of the blog, I have extra pieces of the letterhead. The cost for a sheet will be $5.00 (including postage.) E-mail me at Matterhorn1959 at Yahoo.com and let me know if you are interested.
Here is another sign also removed, but only more recently. Once hanging outside of the large wooden gates made out of tree trunks, it alerted guests that an unfriendly Indian attack could occur at any time and the gates may close.
Here is the actual exit from the secret tunnel.
Like any intriguing area for kids, there are other secrets as well. This sign points out one (I guess it is not that secret.) The imagineers definitely knew how to engage not only kids but also adults. How many of us want to explore secret areas? It is the lure of the abandoned building, calling to us to explore and not knowing what one would find.
The most intriguing area for me as a kid and playing on the island was behind this fence. I have always wanted to go back through this gate and look at what was hidden in the trees. Now it is used for storage for Fantasmic.
The second shows directions to three of the fun elements on the island. Sadly the elements were removed years ago as unsafe. In the background can be seen the Northwest Pacific Coast Indian part of Indian Village.
In order to keep the illusion the island is wild, even the trash cans are themed to be as natural as possible.
I will continue with some obscure Tom Sawyer Island signs tomorrow.
The second image is of the thrilling adventure of riding the Gullywhumper. Careful of the Indians rowing the canoes!
The ride is now finished and we have to disembark from the boat and walk out the exit.
This is the accompanying press releases.
The second image is of Bud Hurlbut, Walter Knott, Don Koll looking at the attraction model at the ground breaking for the ride on July 29, 1968. The ride opened in the summer of 1969 with great fanfare. The first family to ride the attraction was the John Wayne family and Tony Baxter from WDI was there that day also. (There is a publicity shot showing Tony in line while the Wayne family is riding the drop.)
Here is the accompanying press release.
The second image shows one of the inkers working on a cel. Unfortunately I cannot tell what the artwork is.
The third image shows the paint laboratory where the colors and paint was mixed. From what I have read, the paints were mixed slightly different each day depending upon the humidity and the animation cel stock. Unfortunately this image is not named, I wish it was.
The last image is of a fish ready to be inked onto the cel. The animation is the old style five hole animation sheet.
The next two images are of the dinosaurs from the Sinclair Oil attraction. This is one of the attractions I would have loved to see since I have a dinosaur obsession since I was very young.
The next shot is a cold day with the Unisphere in the background.
And this image is from the lagoon in front of the GE Carousel of Progress building.
The final image is from the World of Nations exhibit with the distinctive architecture of the German Beer Garden in the background. The lady looks like she has her own security detail.
The next two images are from Knott's Berry Farm. The first shows the Old MacDonald's Farm area with a unique playground merry go round. The second is of the Knott's version of the Indian Village.
The next image is of Sleeping Beauty Castle in its glory. It appears that they just replanted the Pavilion.
The final image is for those who love the 3-D images and want to create your own. I have put the two stereo realist slides together for you.
The second image is taken from the top of the Ghost Town Hotel (if I placed the items in the correct orientation) showing the street with the red school house in the background.
Finally here is a single image from a 3-Dimensional stereo view showing a "dead" body being removed by the Ghost Town Undertaker after a gunfight.
And for those who want the whole 3-D view, here are the stereo images.
The3-D view is called a Stereo Realist view and use 35mm film size and special mounts to acheive the stereo view.
And I would be remiss to not wish everyone a Happy St. Patrick's day today. Remember to be wearing the green and raise a nice stout (or black and tan) tonight.
Here is a scan in stereo (say it with lots of echo and overdubbing):
Finally here is a scan of the slide with the date and title.
These stereo views are usually very nice and shot on Kodachrome stock. It was a definite fad in the 1950s. One of the most famous people into 3-Dimensional photography was Harold Lloyd. Several years ago there was a nice book published of his images featuring Hollywood stars in his backyard and at his pool. The cameras today are pricey, but there are lots of photographers out there still taking 3-Dimensional images.
For some more information, check out this post from Cartoon Brew.
The next two images are of the animation stand used by our photographer. It is amazing to me to see the location where the works of art were inked and colored. It is also amazing to me that there has been so little recognition to the great artists who accomplished the delicate task of creating animation cels to be in full gorgeous color. The art on the table appears to be from the color remake of Orphan's Benefit featuring Goofy and Clarabelle in a circus strong man act.
The barrel bridge was also a sentimental favorite of mine, especially when the barrels would sink when stepped on. I remember jumping up and down on the barrel along with my brothers to make the barrels sink and then pop back up. I like the picture with the idea of adults having fun on Tom Sawyer's Island, acting like kids.
The next interesting object that caught his eye was the Viewliner in station. If memory serves me correct, the blue train was the Fantasyland train and the pink train was the Tomorrowland train.
For those who want the true 3-D effect, I have posted the two images of the Viewliner for you viewing pleasure. Do not sue me or even blame me if your eyes get cross-eyed and you have to go see your optometrist.
The last image is a fun image I picked up with the Worlds of Wonder images I posted a while ago. The shot shows the Parade of the wooden shoes at the Pella Iowa tulip festival in May 1967. For those traveling through Iowa this spring, the Pella Tulip Time will be held on May 1, 2 and 3rd this year. Most of the events are free and city turns into Holland for the three days.
And thanks to Chris from O.C. History Roundup here is a little bit of more information on Esther.
Esther F. was born on Nov. 20, 1908 and grew up on her family’s farm in Willow Springs, Kansas. She came to Southern California in about 1936. Sometime during or soon after WWII, she married Loren S., a carpenter from Los Angeles. They made their home just north of Echo Park.
Loren was born in Oregon in 1899, but later came to live in Los Angeles. He spent the war working in Vallejo – probably at the Mare Island shipyard – before returning to L.A.
Sometime between 1948 and 1950, Loren and Esther moved down to Garden Grove, where they would live for the rest of their lives.
I have a document that shows that Loren worked for “O’Neil Construction,” but I think that may be an error. The scrapbook’s 1954 photo of the castle under construction suggests that Loren actually worked for McNeil (rather than O’Neil) Construction Co., which had the contract to build Disneyland.
Obviously, Esther later worked at Disneyland herself, (from at least 1958 until at least 1960,) but it seems that most of her married life was spent as a homemaker.
Loren died at home at age 82, in Oct. 1981. Esther followed, the day after her 81st birthday, in 1989. They are both buried at Westminster Memorial Park in Westminster, California.
- Chris Jepsen, local historian
Here is a photo from McNeil Construction company, who had the contract to build Disneyland.
Thanks Chris for the information. And the McNeil Construction photo is from the Anaheim Public Library.
For Tim at Vintage Disneyland Tickets, the reels look like regular viewmaster reels but are printed in green. Sawyers sold the mounts, a camera and photo splitter. The camera uses 35mm film to take the images, but the images must be cut and mounted into the reel. Many of the nude girl reels are home made in the same way. For more information about Viewmaster cameras and personal reels, check out The View-Master Resource
The next image is of the Ink and Paint department circa 1938 when the studio was in full production of Pinocchio.
The final image is of Kay Kamen when he was visiting the studio. Identification on the back is as follows from left to right: unidentified, Kay Kamen, unidentified, Dorothy ?, Julius ?, unidentified and Ray Lamb. Any Disney historians want to take a stab at identification?